To test if you’re a fan and love Broadway musicals, you would be able to finish watching and listening to this non-sense of a product face-cleanser commercial.
But if you just stopped and suddenly scrolled down or continue with web surfing while in the middle of this Olay commercial, it only signifies that watching at least 1 Broadway musical will never be or has never been in your bucket list.
I bet you watched the whole thing! I’ve seen the commercial and finished it 3 times. And I can’t wait to wash my face!
No one deserves to be forgotten…no one deserves to fade away…
I totally agree with this song!
I am actually dedicating this song to Cupid who seem to have run out of arrows and have forgotten to strike someone who is supposed to be my mate and life companion. My goodness! I seem to have disappeared in Cupid’s memory, mind and consciousness! Hahaha!
Let me also dedicate this song to St Anthony, the miracle worker who assists people in finding their true love. My name must have disappeared from St Anthony’s long and complicated list! That is why I am dedicating this song to him. Mwahaha!
But seriously, this song is massively inspiring. It has a very touching sets of lyrics! I love it for it advocates the value of being valued and remembered
The songs and music of Dear Evan Hansen (the musical) is giving me reasons to want to fly and spend another beautiful adventure in the city of New York. And while I try to find a window on y very busy schedules on the possibility of flying to NYC, I let myself be satisfied on playing and replaying the musical’s soundtracks in my Spotify account.
And when I saw this performance in The Late Show with Stephen Colbert, it further my wanting to fly to NYC. This I guess is the best performance that this song can possibly be sang! From the faultless singing to infectious involuntary facial twitches and from the impeccable lyrics to the seamless exhibited raw emotion, his rendition in this video can simply be spelled as P-E-R-F-E-C-T!
I will really be upset in case Ben Platt, nominated for Best Actor in a Musical, will not be awarded the Tony this year!
This blog is a living proof that I absolutely without any doubt love anything about Japan. From its food, to its beautiful weather, to its magnificent sites, up to its exquisite culture and gentle people.
This blog also is a testament to the startling fact that I love Broadway musicals. From its ingenious production designs, to its mind blowing choreographies, to its incredible story plots up to marvellous musical tunes and talents.
Amazingly, the recent Youtube video which I stumbled upon is a surprising mix of both. This video gives me a reason to again visit Japan and see their unique version and remarkable rendition of western musicals.
What is so delightful in watching this video is that I don’t have to have the lyrics translated in a language that I understand. I already know the story, the uttered lines as well as the music. The only thing that I got to do is to witness the stunning visuals, hear the pleasing musical tunes and savour the delightful experience.
This is so beautiful…
Now I wonder how my favourite nemesis Ursula is interpreted by this Japanese musical company.
There have been lots of popular musicals that have been imported and graced my beloved homeland. There were even lots of these musicals in which the West End or Broadway casts were featured. And there were some musicals in which the company of actors were equally talented local Filipino artists trying their very best to sound and enunciate the American and/or English accent.
But after seeing The Book of Mormons, I can conclude that this show, though dubbed in America as the “best musical of the century” will never be imported and shown in conservative Philippines. It is because this musical can be stunningly foul-mouthed, incredibly vulgar and breathtakingly offensive.
It pushes the boundaries of a comedic story by talking/singing about child rape, the clitoris, people with AIDS, female circumcision and even the male scrotum (with maggots). There was even a vulgar song entitled “Hasa Diga Eebowai” which features a litany of despair and anguish that culminates in the rousing chorus stating that Hasa Diga Eebowai means “F@ck you god”.
A lot of scenes and dialogues were mockeries of true human stories that transpired and continuously happen in society. There was a song in which the continent of Africa was described as definitely not a “Lion King” of a site that one can behold. And that an Ugandan town (which can represent a lot of places in the planet) is being oppressed and harassed by its leader whose name in the story is General Butt-Fucking Naked.
There was the mockery of innocent people in society which were made to seriously believe on stories that involved putting together snippets of events from the Star Wars and Lord of the Rings. And that these people were so innocent, they believe that the true paradise is located in Salt Lake City (the song’s sweet rendition actually made me teary-eyed). There was even a line in one song saying that the Garden of Eden is located in Jackson County, Missouri!
But what is so amazing about this musical is that these jokes were so smart, refreshing and extremely funny without really sacrificing the kernels of life’s reality that the viewers can ponder about. And maybe the reason why these jokes and mockeries were so effective is because these were uttered and put across by the sweetest characters that a musical could ever have.
Underneath all these jokes and mockeries, The Book of Mormon is a very moral musical. If truly assessed it has a surprisingly tender core. It tackles about loyalty to friendship. It tackles the hope of discovering utopia. It tackles the beauty of innocence as well as the dangers that comes along with it. It tackles about finding love and happiness. It tackles about experiencing victory in the strangest of situations. And ironic as it may seem, it is about the pureness of the heart.
It is therefore not surprising that this musical won 9 Tony Awards including Best Musical in 2011 and continuous to draw big crowds daily. Too bad, Philippines won’t be able to see, hear and experience the pureness of the heart contained in The Book of Mormon.
Ito ang myusikal kung saan ang huling linyang sinabi kung Tatagalugin ay … “Ang Betlog Ko Pa Rin Ay May Uod!??
Four years ago, when I saw the stunning rendition of “I Believe” by Andrew Ranells from the musical Book of Mormon during the 65th Tony Awards, I promised myself that when I reached New York in the future I would definitely see this musical extravaganza. This personal promise was reaffirmed a year after when I saw the opening number of the 66th Tony Awards which featured the song “Hello”. Seeing the 2011 and 2012 Tony Awards then was like listing The Book of Mormon among my life’s bucket list.
Four years later, such personal promise came true. One item in my long, arduous and complicated bucket list was accomplished. I saw, I heard and I enjoyed The Book of Mormon!
My New Yorker friend Jhong knows that months prior to my visiting New York, the one I specifically would like to do was to see this musical. We never talked about the sites to see (except for the 66 Perry Street), the rides to take, the food to taste or the people to meet. We simply talked about the musicals that I want to see. And The Book of Mormons was right there on the top of our conversations.
Jhong somewhat discouraged me because The Book of Mormons right now is considered the “King of Broadway”. Their ticket seats are ranked among the most in demand and the most expensive musical in Broadway now. You can actually buy 2 good seats of a different musical in Broadway for the price of one mezzanine seat of The Book of Mormons. It is so in demand, viewers cannot purchase tickets on the day they want to see the show. Tickets must be purchased online days before they would like to see it.
When Jhong and my new friend Lee purchased the ticket for me and told me how expensive a mezzanine seat was, I told them to go ahead. I simply said yes, closed my eyes and changed the topic for I don’t want to ponder and go nuts on how my New York travel budget has gone bloated.
And right after seeing the show, while I was standing up, clapping my hands and was shouting “Bravo!” I knew that my purchase of such expensive ticket was well vindicated. This 4-year old item in my bucket list was one hell of a wickedly funny musical show!!!
The first Broadway show ever that I have seen in New York (as I have written in the past few days) was Les Miserables. After being so moved by this spectacular musical, I knew for a fact that it would be very difficult and challenging for the succeeding Broadway musical that I would watch for me to get so impressed. Les Miserables would be a tough act to follow.
This is exactly what I felt about Phantom of the Opera. Though it has been considered one of the longest running musicals in Broadway, I find it a little dreary. Or maybe it’s the operatic musical genre that Phantom of the Opera has that made me feel bleak. Except for the song “Think of Me”, which I prefer to be sang in a pop and non-operatic way, I am not that impressed with the line-up of songs.
Blame it to Martin Nievera, an old and aging pop-star in the Philippines who keeps on singing the songs from Phantom of the Opera in the TV variety shows that he would appear at. Nievera’s obsolete rendition made me feel so fatigued about the songs of this musical.
Or maybe, the swanky and high-class music of Phantom of the Opera is so high-end and so classy and it’s just that I am the uncultured swine who fails to appreciate the elegance and chicness of its tunes. No thanks to my underdeveloped right brain because I have yet to find the right tools so as to appreciate such musical genre.
But what struck me most about Phantom is the great production design. My goodness! The spectacular drop of the majestic chandelier right over the heads of the audience at the end of the first act was breathtaking. Also, the colors of the masquerade ball number was truly outstanding. Those costumes were undeniably crazy! I was indeed transported into a different world!