To test if you’re a fan and love Broadway musicals, you would be able to finish watching and listening to this non-sense of a product face-cleanser commercial.
But if you just stopped and suddenly scrolled down or continue with web surfing while in the middle of this Olay commercial, it only signifies that watching at least 1 Broadway musical will never be or has never been in your bucket list.
I bet you watched the whole thing! I’ve seen the commercial and finished it 3 times. And I can’t wait to wash my face!
This will most probably be one of the last write-ups of Wicked: The Untold Story of the Witches of Oz musical as it ends its latest run here in Manila. Me, my sisters and Nengkoy (of course) had the awesome opportunity to catch and watch the last performance night here in Manila.
We were of course bedazzled and captivated by the sheer magnificence if the costumes, the colors and the music of Wicked. But I will not write anything about the musical for there has been millions of it in the web. Instead, let me deliberate on the venue and the people on the night we watched the show here in Manila.
Unlike my sisters and Nengkoy, it was my first time seeing a musical show in Solaire Theatre. I have seen a couple of shows in Broadway, New York but never was I been so stunned and dumbfounded by the high-endedness (is that a word?) of Solaire. The theater was so modish and dashing there were moments when I doubted being in poverty-stricken Manila. While waiting for the ushers to allow us inside the actual theater, the well-lighted foyer area was played with chic jazz music. I never noticed or heard stylish jazz or muzak being played at the measly lobby and waiting areas of New York theaters. In some New York shows, we the audience actually have to queue at the cold and dusty side street.
And what further dumbfounded me were the rest of the audience. Everyone was well-dressed for the night. Well-dressed, I mean well-dressed. Gentlemen were in their crisp long sleeve shirts with matching coat and necktie while the ladies were dressed to the nines. Some ladies were even donning in elegant gown and seem to have been to some pricey beauty saloon prior to the show just to watch Wicked, The Musical.
I was actually so shocked, wearing just a polo shirt and my old dungarees, I could not control my utterances about the theater and the people. I told my sisters that I have seen a couple of Broadway shows in New York but the atmosphere was never this chic, high-end and elegant.
Buti na lang di ako nag-tsinelas. Taray… Walang ganyan sa Nyu York!
There have been lots of popular musicals that have been imported and graced my beloved homeland. There were even lots of these musicals in which the West End or Broadway casts were featured. And there were some musicals in which the company of actors were equally talented local Filipino artists trying their very best to sound and enunciate the American and/or English accent.
But after seeing The Book of Mormons, I can conclude that this show, though dubbed in America as the “best musical of the century” will never be imported and shown in conservative Philippines. It is because this musical can be stunningly foul-mouthed, incredibly vulgar and breathtakingly offensive.
It pushes the boundaries of a comedic story by talking/singing about child rape, the clitoris, people with AIDS, female circumcision and even the male scrotum (with maggots). There was even a vulgar song entitled “Hasa Diga Eebowai” which features a litany of despair and anguish that culminates in the rousing chorus stating that Hasa Diga Eebowai means “F@ck you god”.
A lot of scenes and dialogues were mockeries of true human stories that transpired and continuously happen in society. There was a song in which the continent of Africa was described as definitely not a “Lion King” of a site that one can behold. And that an Ugandan town (which can represent a lot of places in the planet) is being oppressed and harassed by its leader whose name in the story is General Butt-Fucking Naked.
There was the mockery of innocent people in society which were made to seriously believe on stories that involved putting together snippets of events from the Star Wars and Lord of the Rings. And that these people were so innocent, they believe that the true paradise is located in Salt Lake City (the song’s sweet rendition actually made me teary-eyed). There was even a line in one song saying that the Garden of Eden is located in Jackson County, Missouri!
But what is so amazing about this musical is that these jokes were so smart, refreshing and extremely funny without really sacrificing the kernels of life’s reality that the viewers can ponder about. And maybe the reason why these jokes and mockeries were so effective is because these were uttered and put across by the sweetest characters that a musical could ever have.
Underneath all these jokes and mockeries, The Book of Mormon is a very moral musical. If truly assessed it has a surprisingly tender core. It tackles about loyalty to friendship. It tackles the hope of discovering utopia. It tackles the beauty of innocence as well as the dangers that comes along with it. It tackles about finding love and happiness. It tackles about experiencing victory in the strangest of situations. And ironic as it may seem, it is about the pureness of the heart.
It is therefore not surprising that this musical won 9 Tony Awards including Best Musical in 2011 and continuous to draw big crowds daily. Too bad, Philippines won’t be able to see, hear and experience the pureness of the heart contained in The Book of Mormon.
Ito ang myusikal kung saan ang huling linyang sinabi kung Tatagalugin ay … “Ang Betlog Ko Pa Rin Ay May Uod!??
Four years ago, when I saw the stunning rendition of “I Believe” by Andrew Ranells from the musical Book of Mormon during the 65th Tony Awards, I promised myself that when I reached New York in the future I would definitely see this musical extravaganza. This personal promise was reaffirmed a year after when I saw the opening number of the 66th Tony Awards which featured the song “Hello”. Seeing the 2011 and 2012 Tony Awards then was like listing The Book of Mormon among my life’s bucket list.
Four years later, such personal promise came true. One item in my long, arduous and complicated bucket list was accomplished. I saw, I heard and I enjoyed The Book of Mormon!
My New Yorker friend Jhong knows that months prior to my visiting New York, the one I specifically would like to do was to see this musical. We never talked about the sites to see (except for the 66 Perry Street), the rides to take, the food to taste or the people to meet. We simply talked about the musicals that I want to see. And The Book of Mormons was right there on the top of our conversations.
Jhong somewhat discouraged me because The Book of Mormons right now is considered the “King of Broadway”. Their ticket seats are ranked among the most in demand and the most expensive musical in Broadway now. You can actually buy 2 good seats of a different musical in Broadway for the price of one mezzanine seat of The Book of Mormons. It is so in demand, viewers cannot purchase tickets on the day they want to see the show. Tickets must be purchased online days before they would like to see it.
When Jhong and my new friend Lee purchased the ticket for me and told me how expensive a mezzanine seat was, I told them to go ahead. I simply said yes, closed my eyes and changed the topic for I don’t want to ponder and go nuts on how my New York travel budget has gone bloated.
And right after seeing the show, while I was standing up, clapping my hands and was shouting “Bravo!” I knew that my purchase of such expensive ticket was well vindicated. This 4-year old item in my bucket list was one hell of a wickedly funny musical show!!!
The first Broadway show ever that I have seen in New York (as I have written in the past few days) was Les Miserables. After being so moved by this spectacular musical, I knew for a fact that it would be very difficult and challenging for the succeeding Broadway musical that I would watch for me to get so impressed. Les Miserables would be a tough act to follow.
This is exactly what I felt about Phantom of the Opera. Though it has been considered one of the longest running musicals in Broadway, I find it a little dreary. Or maybe it’s the operatic musical genre that Phantom of the Opera has that made me feel bleak. Except for the song “Think of Me”, which I prefer to be sang in a pop and non-operatic way, I am not that impressed with the line-up of songs.
Blame it to Martin Nievera, an old and aging pop-star in the Philippines who keeps on singing the songs from Phantom of the Opera in the TV variety shows that he would appear at. Nievera’s obsolete rendition made me feel so fatigued about the songs of this musical.
Or maybe, the swanky and high-class music of Phantom of the Opera is so high-end and so classy and it’s just that I am the uncultured swine who fails to appreciate the elegance and chicness of its tunes. No thanks to my underdeveloped right brain because I have yet to find the right tools so as to appreciate such musical genre.
But what struck me most about Phantom is the great production design. My goodness! The spectacular drop of the majestic chandelier right over the heads of the audience at the end of the first act was breathtaking. Also, the colors of the masquerade ball number was truly outstanding. Those costumes were undeniably crazy! I was indeed transported into a different world!
According to Dalai Lama, “the purpose of our lives is to be happy”. And this is exactly what I thought o after I watched the amazing Kinky Boots, the third Broadway musical show I saw in New York.
Prior to watching this Broadway musical, the only thing I know about the show is that it is a Tony award-winning musical. I don’t know what the story is about, I haven’t heard about the music and neither do I know anything about the cast. Blame this to my being an inhabitant living a simple life at the other end of the world.
Kinky Boots is not a popular Broadway musical in Manila, unlike the classic Les Miz, Phantom, Miss Saigon or even Wicked. But after seeing the show it actually became one of my favorites. The story is simple and uncomplicated yet it opened a whole new perspective about prejudice, intolerance and acceptance.
There are lots of heartfelt wisdom that can be extracted from the show. It tackles about the struggles of trying to fit in. It is about the blossoming of life as soon as acceptance has kicked in. It even tackled the life’s various phases: childhood, adulthood, friendship, career, life’s ambition, secret admiration and even death. The story seem to have something for everyone. This is without eliminating the basics of a fun, fab and highly entertaining musical: excellent music, spectacular production, gifted singing talent and hip dance moves.
Kinky Boots got a big heart! That is why it has become one of my favorites. And I would not mind watching it again in case I visit New York again. If not, Kinky Boots I hope would reach the shores of Manila. This musical would definitely be something to watch. Charlie, Lola (the main characters) and the rest of the cast are of course welcome to perform in my city.
I’m pretty sure in case the Dalai Lama would have the opportunity to watch this musical, he himself would say “watching Kinky Boots is a must so as to live a happy life”.
The main purpose of my visiting New York is to see at least one musical Broadway show. I told myself that as soon as I have seen one, the rest of my New York adventure would utterly be but awesome add-ons. Ever since the time I have been aware about the existence of Broadway musicals, I have always set into the deepest travails of my mind that someday I would be blessed and be able to watch one.
This mindset actually came true last March 29, 2015. That day, I did not settled for less popular musicals but instead went on to watch the world’s most epic, Les Miserables. I actually got chills when I was handed my ticket at the box office.
I am so glad to have chosen Les Miserables as my first Broadway musical experience. What I know is that this epic tale has started to be considered a “classic” of modern musical theater. It is a beautiful story about compassion and forgiveness all set against the backdrop of the French Revolution.
And when the show started my goosebumps were exploding. It was so profuse and persistent, I thought my goosebumps already grew goosebumps of its own. I was a bit nervous because I thought my fingernails were even growing it. And every time a highlight song has been sang, my goosebumps would cheer with bellowing sounds and clap along with me.
My happiness was further intensified when I noticed it is the magnificent Ramin Karimloo is the one who was acting/singing the role of Jean Valjean.
When the show’s finale song was sung and Jean Valjean, Fantine and Eponine sang the lyrics “to love another person is to see the face of God!”, I was sobbing. I was crying because of such a sad sad story (imagine almost all of the main characters died). And during curtain call while the audience were on a standing ovation, I was still crying for joy because I was given the exceptional opportunity to see such a spectacular show.
And when I stepped out of the theater, I can hear my goosebumps were shouting at me saying “Thank you! Thank you!”