My two most favorite scenes in the movie Kasal (The Commitment) directed by Joselito Altarejos are the dialogue-less squabble scene of the two main characters in the middle of a green-lush alleyway in which instead of spoken dialogues, a sweet Tagalog love/wedding song is being played and the passionate love making scene that features the two main characters along with the old-timer veteran Filipina actress Boots Anson Roa.
I loved the long-shot dialogue-less quarrel scene because even though you could not hear what the characters are articulating you can actually see and feel from afar what they are saying. This one is a truly magical achievement for the director who was able to capture such a rare feat. Very seldom in a Filipino-made film that I have seen this. Usually in a Filipino movie, for a message to be conveyed it needs to be overtly spoken and for an emotion to be felt the main character should be shot close up.
The other impressive scene was the pink love-making part of the movie. Aside from the challenging erotic calisthenic-demands for the actors, the scene was further made difficult because a film clip of the well-respected and morally-right veteran actress Boots Anson Roa is being flashed and projected directly onto their skin. It’s like having sex with someone while your senior citizen elementary school religion teacher is closely watching. How on earth can you attain the ecstasy and worldly bliss? Thus, kudos to the director who was able to think and execute something as unique as this.
Aside from these two richly flavored scenes in the film, Kasal (wedding in English) was able to highlight various dynamics about marriage, love, commitment and family. And what is so impressive about it is that these dynamics were navigated in an incredibly solid and cohesive manner. The impressive story also depicts the irony of a happy wedding celebration which can actually be the reason for sadness, struggles and troubles by those involved by it. The story and scenes were so close-to-reality viewers inside the theater were expressing their unconcealed elated reaction while the movie is running.
Though the main characters did not end up being together as an item and that the ending was rather sad, you nevertheless will feel – if you would just deeply contemplate – that the lead characters in the story will be just fine in the future. And that is another remarkable achievement of this film. The ending was a sad silent pause yet still pleasant.
Now I can say that I already have a favorite Altarejos film. I had some problems with the technical aspect of the movie most especially the dubbing. But all these were easily erased by the trueness and sincerity of the story as well as the impressive execution by that of the superb director.
Kasal (The Commitment) is a finalist and an official entry in the Director’s Showcase category of the Cinemalaya Philippine Independent Film Festival 2014.
Ay howp it wins…